One of the most popular tattoo designs among women today are the cherry blossom tattoos. A flower from nature, the cherry blossom blooms with beauty. Both cultures of the Chinese and Japanese holds the meaning of the cherry blossom very dearly to their spirituality and everyday life.
If your decision is to get one of these designs, you should know the significance and symbolism behind the cherry blossom meanings.
Behind every tattoo there is a meaning that should be held dearly to your heart. Take a look at the many possibilities of designing your own cherry blossoms by browsing other designs or artworks that are available to you.
You should also know that the Chinese and Japanese cherry blossoms are very distinct and differ from their symbolic meanings. The symbolism of the Japanese cherry blossom should not be mistaken for the Chinese cherry blossom symbolism, for they each have their own individual take on its meaning.
To the Chinese cherry blossom it is very symbolical of power, feminine beauty or female dominance which frequently applies the idea of great power and the symbolization of love.
In the culture of the Japanese cherry blossoms are established on or around a very strong spiritual belief. That the nature of life is short-lived and it is considered very sensible not to get to close or connected to anything because it will elapse eventually. Primarily conceived to be a feminine design, in Japanese cultures the cherry blossom was an emblem that was carried by warriors by heart as in the Bushido code of loyalty and honor.
“Cherry blossoms” are an idealistic design for both men and women. Both cultures empathize the very powerful significance that this design portrays. So don't feel intimidated if the Japanese or the Chinese symbolism don't really stand for what you would like, you can incorporate your own personalization to the design, hence making it your own. Let something special in your life influence and inspire the ideas for your design.







Rose Tattoo is an Australian blues/hard rock band, led by Angry Anderson. Among their best known songs are "We Can't Be Beaten", "Scarred for Life", "Rock 'n' Roll Outlaw" and "Bad Boy for Love". Their first four albums were produced by Harry Vanda and George Young who also worked with AC/DC. Along with AC/DC and The Angels, Rose Tattoo helped establish an Australian rock sound in the 1970s that was copied around the world.
Anderson's onetime Buster Brown bassist Geordie Leach was recruited for Rose Tattoo's self-titled debut LP; after nearly three years of extensive touring, during which time Leach temporarily left the band to be replaced by Lobby Lloyde, they issued the follow-up, Assault and Battery, in 1981. During Lloyde's brief tenure with the band, they recorded a song, "Legalise Realise" that was released as a single in 1980, backed with a track by country singer Colin Paterson to publicise a campaign to legalise marihuana.
After the US tour, Wells, Royal and Riley all left the group, with the remaining duo of Anderson and Leach recruiting guitarists Greg Jordan and John Meyer (from Perth progressive metal band Saracen) along with drummer Scott Johnston to record 1984's Southern Stars. Leach then exited to join Wells, Royal and Riley in the short-lived Illustrated Men. Anderson also took time out to play the character 'Ironbar' Bassey in the 1985 film Mad Max Beyond Thunderdome. That year Rose Tattoo, as Anderson, Johnston, Meyer, Andy Cichon (bass) and Tim Gaze (slide guitar), released a version of Steppenwolf's "Born to be Wild", their first release for Mushroom Records. Meyer left and Rose Tattoo recorded 1986's Beats From a Single Drum as a four piece
